Three different ways to make the pictures the hero.
This time the choices deliberately live in different design worlds. A is dark, dramatic and gallery-like. B feels tactile, printed and handcrafted. C is crisp, fast and modern. Same photo-led family — very different personality.
Dark Cinematic Gallery
Immersive, minimal and dramatic. The site behaves like a gallery: very little clutter, oversized imagery, tiny captions and a slower premium rhythm.
Make them stop.
High-impact photography for brands, spaces and machines that deserve more than a standard gallery.
Enter selected work →Shape. Light. Detail.
A cinematic portfolio gives one project enough room to feel important. The visitor sees atmosphere first, then the story and proof underneath.
Crafted Editorial Journal
Warm paper, handwritten annotations, taped photographs and story-led project notes. More handmade and tactile than luxury-minimal.
Useful things, made slowly.
Bespoke furniture and small objects shaped by timber, weather and the coast. Every piece starts with the material, not a catalogue.
Come into the workshop →The harbour table
A project page can read like a maker's notebook: the brief, sketches, material choices, close-up details and the finished piece in its home.
finished piece — early morning light
detail / grain / edge
“It feels less like a showroom and more like opening someone's sketchbook.”
Modern Visual Grid
Bright, quick and commercial. Strong sans typography, category filters, a modular image wall and proof blocks designed for fast phone browsing.
Pick your look.
See the proof.
A photo-heavy website for customers who want to scan real work quickly, find the style they like and take action without reading a long story first.
Seen the result you want?
Send an enquiry ↗Now they really are three different choices.
A is cinematic and dark. B is warm, tactile and handmade. C is crisp, modern and proof-heavy. For a client, Bunny would still finish the chosen direction with their own colours, logo, photos, wording and calls-to-action.
